by: Nancy Baym
It doesn’t take a Ph.D. in social sciences (I hope!) to spot some immediate reasons to question the survey’s validity — it was conducted at an mp3 blog aggregator, which ought to skew it toward mp3 blog readers in a big way, and it was not open-ended (apparently they didn’t include “radio,” as was noted in the comments — 7.6% said they used the radio in the ‘other’ category, but would more have said so had it been asked?).
At any rate, though, here are the results of the 1,430 answers they got (people could check all that applied):
Total Responses: 1430
(1) Friends rule. Still. In their own interpretations, they go right to Last.fm, but I am not convinced — especially after seeing the role of music in friending on Last.fm in my survey data (still working on that stuff) — that it’s really online friend connections where most meaningful recommendation is happening. If it is online friends, I think most of those friends, or at least a very substantial proportion of them, are friends offline with whom one also connects online rather than friends formed online for purposes of sharing musical taste.
(2) Algorithms such as Last.fm and Pandora’s (”Online Mechanical”) have a long way to go. This may be on account of people not using them, but I suspect it also has to do with the difficulty of capturing just what it is that makes Band A appeal to someone when Band B doesn’t. Last.fm has spent the last 2 years recommending me people I know I don’t like, to the point where I quit checking my Last.fm recommendations. Lately though it seems to have gotten somewhat better (except for that it now recommends bands I already listen to!).
This really suggests the tremendous potential of things like iLike and Last.fm applications on Facebook for spreading the word. If you get the music recommendations where the offline friendship networks are already mirrored, word spreads. This has been happening on MySpace already for a long time, but people have acted as though it’s a straight band to fan phenomenon when it’s always been friend to friend, with the band as a social commodity exchanged between them.
It also means that the more ways that labels and bands can make their music portable so that friends can ship it around easily to one another, the more they’re going to thrive.
It was funny to run across this because just yesterday I was thinking that someone really ought to do a study where they ask a large random sample of people how they heard about the last artist whose music they got into and whether or not they had purchased the music. That’s what you’d really need to do if you wanted to know how people are getting turned on to new music. Unless someone wants to hire me to do that study on their behalf, I doubt I’ll ever do it myself, so please steal this idea (or hire me!) because I want to know the results.